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References

Adelstein, P. Z. 1999, ‘The preservation of photographic film’. In: Susie Clark (ed) Care of Photographic Moving Image & Sound Collections, 20-24 July 1998, University College of Ripon & York St. John, York, England. Institute of Paper Conservation, 1999. pp.13-18

Adelstein, P. Z. et al. 1992, ‘Stability of cellulose ester base photographic film: Part II – practical storage considerations’, SMPTE Journal, vol 101, no 5, May, pp 347 – 353.

Allen, N. S. et al. 1988, ‘The Degradation and Stabilisation of Historic Cellulose Acetate/Nitrate Base Motion-Picture Film’, Journal of Photographic Science vol 36, no 3, pp 103 – 106.

Bigourdan, J-L. Adelstein, P. Z. & Reilly, J. M. 1998, ‘Use of Microenvironments for the Preservation of Cellulose Triacetate Photographic Film’, Journal of Imaging Science and Technology, vol 42, no 2, March/April, pp.155 – 162.

Bigourdan, J-L. & Reilly J. M. 2000, ‘Effectiveness of storage conditions in controlling the vinegar syndrome:preservation strategies for acetate base motion picture film collections’. In: Michelle Aubert and Richard Billeaud (eds): Image and Sound Archiving and Access: the challenges of the 3rd millennium. Procedings of the Joint Technical Symposium Paris 2000. CNC, pp.14 – 34.

Bigourdan, J-L. & Reilly, J. M. 1999, ‘Preservation strategy for acetate film collections based on environmental assessment and condition survey’. In: Susie Clark (ed) Care of Photographic Moving Image & Sound Collections 20-24 July 1998, University College of Ripon & York St. John, York, England. Institute of Paper Conservation, pp. 28 – 37.

Bigourdan, J-L. & Reilly J. M. 1997, Environment and Enclosures in Film preservation, Rochester: Image Permanence Institute.

Edge, M. 2000, ‘Approaches to the conservation of film and sound materials’. In: Michelle Aubert and Richard Billeaud (eds): Image and Sound Archiving and Access: the challenges of the 3rd Millennium Proceedings of the Joint Technical Symposium Paris 2000. CNC, pp.35 – 42.

Hendriks, K. B. 1989, ‘The stability and preservation of recorded images’. In: John Surge, Vivian Walworth and Allan Shepp (Eds) Imaging processes and materials: Neblette’s eighth edition, New York: Van Nostrand Reinhold, pp. 637- 684.

Horvath, D. G. 1987, The Acetate Negative Survey, Final Report. University of Louisville: Louisville.

McCormick-Goodhart, M. 1999, ‘Methods for creating cold storage environments’. In: Susie Clark (ed.) Care of photographic moving image and sound collections, 20th – 24th July 1998, University College of Ripon & York St. John, York, England. Leigh, Worcestershire: Institute of Paper Conservation, pp.19 – 24.

McCormick-Goodhart, M. 1995, ‘Moisture-content isolines and the glass transition of photographic gelatin; their significance to cold storage and accelerated aging’. In: Research Techniques in Photographic Conservation 14 - 19 May, Royal Danish Academy of Fine Arts: Copenhagen , pp. 65 – 70.

Ngo Hieu Chi 1998, ‘The film decomposition cause of vinegar syndrome and methods for prevention’. In: SEAPVAA-UNESCO Advanced training seminar on the treatment of vinegar syndrome and mould affected films, 2-13 November1998, Vietnam Film Institute, Hanoi, Vietnam Annex Q.

Nishimura, D. W. 1995, ‘Film Supports: Negatives, Transparencies, Microforms, and Motion Picture Film’, In: Rose, CL, Hawks, CA and Genoways, HH (eds), Storage of Natural History Collections. Volume 1; A Preventive Conservation Approach. Society for the Preservation of Natural History Collections: Iowa. pp 365 - 393.

Puglia, S. 1995, ‘Cost Benefit Analysis for B/W Acetate: Cool/Cold Storage vs Duplication’, Abbey Newsletter, vol 19, no 4, September.

Reilly, J. M. 1993, IPI Storage Guide for Acetate Film. Image Permanence Institute: New York.

Rose, P. I. 1977, “Gelatin”. In: The Theory of the Photographic Process. T.H. James (ed), Macmillan.

Sheppard, S. E. 1927, ‘Behaviour of Gelatin in the Processing of Motion Picute Film’, Transactions of S.M.P.E., vol XI, no 32, p.707-727.

Wilhelm, H. 1993, The Permanence and Care of Colour Photographs: Traditional and Digital Colour Prints, Colour Negatives, Slides, and Motion Pictures. Preservation Publishing Company: Grinnell.


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