ANICA
Home > Storage >
References
References
Adelstein, P. Z. 1999, The preservation of
photographic film. In: Susie Clark (ed) Care of Photographic Moving
Image & Sound Collections, 20-24 July 1998, University College of
Ripon & York St. John, York, England. Institute of Paper Conservation,
1999. pp.13-18
Adelstein, P. Z. et al. 1992, Stability of cellulose
ester base photographic film: Part II practical storage
considerations, SMPTE Journal, vol 101, no 5, May, pp 347
353.
Allen, N. S. et al. 1988, The Degradation and
Stabilisation of Historic Cellulose Acetate/Nitrate Base Motion-Picture
Film, Journal of Photographic Science vol 36, no 3, pp 103
106.
Bigourdan, J-L. Adelstein, P. Z. & Reilly, J. M. 1998,
Use of Microenvironments for the Preservation of Cellulose Triacetate
Photographic Film, Journal of Imaging Science and Technology,
vol 42, no 2, March/April, pp.155 162.
Bigourdan, J-L. & Reilly J. M. 2000, Effectiveness
of storage conditions in controlling the vinegar syndrome:preservation
strategies for acetate base motion picture film collections. In: Michelle
Aubert and Richard Billeaud (eds): Image and Sound Archiving and Access:
the challenges of the 3rd millennium. Procedings of the Joint Technical
Symposium Paris 2000. CNC, pp.14 34.
Bigourdan, J-L. & Reilly, J. M. 1999, Preservation
strategy for acetate film collections based on environmental assessment and
condition survey. In: Susie Clark (ed) Care of Photographic Moving
Image & Sound Collections 20-24 July 1998, University College of Ripon
& York St. John, York, England. Institute of Paper Conservation, pp. 28
37.
Bigourdan, J-L. & Reilly J. M. 1997, Environment and
Enclosures in Film preservation, Rochester: Image Permanence
Institute.
Edge, M. 2000, Approaches to the conservation of film
and sound materials. In: Michelle Aubert and Richard Billeaud (eds):
Image and Sound Archiving and Access: the challenges of the 3rd Millennium
Proceedings of the Joint Technical Symposium Paris 2000. CNC, pp.35
42.
Hendriks, K. B. 1989, The stability and preservation
of recorded images. In: John Surge, Vivian Walworth and Allan Shepp (Eds)
Imaging processes and materials: Neblettes eighth edition, New
York: Van Nostrand Reinhold, pp. 637- 684.
Horvath, D. G. 1987, The Acetate Negative Survey, Final
Report. University of Louisville: Louisville.
McCormick-Goodhart, M. 1999, Methods for creating cold
storage environments. In: Susie Clark (ed.) Care of
photographic moving image and sound collections, 20th 24th July 1998,
University College of Ripon & York St. John, York, England. Leigh,
Worcestershire: Institute of Paper Conservation, pp.19 24.
McCormick-Goodhart, M. 1995, Moisture-content isolines
and the glass transition of photographic gelatin; their significance to cold
storage and accelerated aging. In: Research Techniques in
Photographic Conservation 14 - 19 May, Royal Danish Academy of Fine Arts:
Copenhagen , pp. 65 70.
Ngo Hieu Chi 1998, The film decomposition cause of
vinegar syndrome and methods for prevention. In: SEAPVAA-UNESCO
Advanced training seminar on the treatment of vinegar syndrome and mould
affected films, 2-13 November1998, Vietnam Film Institute, Hanoi, Vietnam
Annex Q.
Nishimura, D. W. 1995, Film Supports: Negatives,
Transparencies, Microforms, and Motion Picture Film, In: Rose, CL, Hawks,
CA and Genoways, HH (eds), Storage of Natural History Collections.
Volume 1; A Preventive Conservation Approach. Society for the Preservation of
Natural History Collections: Iowa. pp 365 - 393.
Puglia, S. 1995, Cost Benefit Analysis for B/W
Acetate: Cool/Cold Storage vs Duplication, Abbey Newsletter, vol
19, no 4, September.
Reilly, J. M. 1993, IPI Storage Guide for Acetate
Film. Image Permanence Institute: New York.
Rose, P. I. 1977, Gelatin. In: The Theory of
the Photographic Process. T.H. James (ed), Macmillan.
Sheppard, S. E. 1927, Behaviour of Gelatin in the
Processing of Motion Picute Film, Transactions of S.M.P.E., vol
XI, no 32, p.707-727.
Wilhelm, H. 1993, The Permanence and Care of Colour
Photographs: Traditional and Digital Colour Prints, Colour Negatives, Slides,
and Motion Pictures. Preservation Publishing Company: Grinnell.
previous /
next / Back to
Contents page
|