Australia’s Cultural Heritage – A Digital Future
The Australian public has always valued the important role that the national collecting institutions play in keeping the record of our nation’s intellectual, social, political, administrative, and cultural development.
Cultural expression in Australia is now predominantly in digital form
Digital has become the preferred medium for Australian government agencies, authors, researchers, film makers, musicians and creators. Increasingly, the primary evidence of public administration is created in digital form. The vast majority of film and television works, and virtually all music and recorded sound created in Australia are now released in digital form.
Australia ’s ability to maintain a permanent and accessible record of these activities is therefore linked to our preparedness to cope with this digital tidal wave of images and sounds. As the Collections Council of Australia noted in its background papers for the 2006 Summit on Digital Collections: “ The growth of digital information and the need to store, manage and preserve access is an issue of truly global proportions.”
National collecting institutions are not resourced to cope with this digital tidal wave
The National Film and Sound Archive, National Archives of Australia, and National Library of Australia have the commitment, skills and vision to embrace the digital world. But their resources are largely committed to their traditional collections. To save Australia’s digital cultural heritage will require significant new funding.
Elsewhere, the Government has recognised the need for support to sustain the role of its agencies in a digital world. Substantial funding has been allocated to digital film, radio and television, and for the management of digital resources by bodies such as the ABC, GeoScience Australia and the Australian Institute of Aboriginal and Torres Strait Islander Studies.
Doing nothing is simply not an option
If not for the action of the National Library, the Sydney Olympics web site and the Centenary of Federation web site would no longer be accessible.
If not for the action of the National Archives, Commonwealth records kept on five and a quarter inch disks could have been lost.
If not for the action of the National Film and Sound Archive, early television heritage such as Homicide, Division Four and the Melbourne Cup would have become inaccessible.
Information in digital form is fragile, as it relies on technology that is constantly changing. Our heritage can disappear overnight from the Web, become trapped inside obsolete hardware or software or become unplayable due to obsolete equipment.
We’ve already lost many of our important moments and many of our creative ideas and cultural expressions. There is a danger that in ten years time Australians will look back at today as a digital dark-age.
Doing nothing will deprive Australians of their cultural heritage
Australians are embracing the online world and seek their information increasingly in digital form. If Australia’s national cultural institutions don’t collect and preserve the work and inspiration of our researchers and creators in digital form today, it will not be there for the public to access tomorrow.
To maintain our relevance and visibility in the digital world, the National Library of Australia, the National Film and Sound Archive and the National Archives of Australia are seeking an expansion in the support we receive from Government.
The three agencies are proposing an investment of $90M over four years to address this major issue. The proposed investment has been examined by Access Economics, who have identified benefits exceeding costs by six fold over time. Access Economics commented: “ The benefits are significant and in large part accrue to users of the agency's material. The investments allow more material to be collected or preserved, and that material in digital form is more accessible to potential users.”
Investing in Australia’s digital heritage is an investment for the future
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