| Introduction: Currents, Cross-Currents, Undercurrents, by Frances Devlin-Glass and Tony Simoes da Silva |
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| Ecological Allegory: Tourmaline, An Example |
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David Fonteyn |
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| Toxic flowers: Randolph Stow's unfused horizons |
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Kerry Leves |
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| Randolph Stow: Photo Essay |
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Graeme Kinross-Smith |
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| Exploring Indigenous Identity in Suburbia: Melissa Lucashenko’s Steam Pigs |
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Nathanael O'Reilly |
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| Seen Through Other Eyes: Reconstructing Australian Literature in India |
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Paul Sharrad |
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| Working-class Youth Subcultures: Resistance and Exploitation in Criena Rohan's The Delinquents and Mudrooroo's Wild Cat Falling |
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Ian Herbertson |
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| The Stolen River: Possession and Race Representation in Grenville's Colonial Narrative |
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Odette Kelada |
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| Death Watch: Reading the Common Object of the Billycan in ‘Waltzing Matilda’ |
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Michael Farrell |
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| 'It Was to Have Been my Best Book': Dorothy Green and E. L. Grant Watson |
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Suzanne Falkiner |
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| The Cambridge History of Australian Literature edited by Peter Pierce |
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Ken Gelder |
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| Intimate Horizons: The Post-Colonial Sacred in Australian Literature by Bill Ashcroft, Frances Devlin-Glass and Lyn McCredden. |
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Carole Cusack |
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| Barbara Hanrahan: A Biography by Annette Stewart |
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Frances de Groen |
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| Peripheral Fear: Transformations of the Gothic in Canadian and Australian Fiction by Gerry Turcotte |
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Rachael Weaver |
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| Noel Rowe: Ethical Investigations: Essays on Australian Literature and Poeticsedited by Bernadette Brennan |
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Brigitta Olubas |
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| The Anthology of Colonial Australian Romance Fictionedited by Ken Gelder and Rachael Weaver |
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Elizabeth Webby |
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| Remembering Patrick White: Contemporary Critical Essaysedited by Elizabeth McMahon and Brigitta Olubas |
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Georgina Loveridge |
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| My Blood's Country: a journey through the landscapes that inspired Judith Wright's poetry by Fiona Capp |
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Susan Lever |
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