| Undead Ghosts: Spectrality and the Transgression of Cultural Norms |
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| Mudrooroo's Testament: or Portrait of the Artist as a Sick Old Villain |
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Mudrooroo Nyoongah |
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| Mudrooroo: ‘Waiting to be Surprised’ |
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Adam Shoemaker |
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| '"There Were Phantoms": Spectral Shadows in Christos Tsiolkas' Dead Europe' |
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Liz Shek-Noble |
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| 'What's Haunting Dead Europe?' Trauma Fiction as a Reaction to Postmodern Governmentality |
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Michael Vaughan |
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| The Alpha and Omega of Brennan's The Wanderer |
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Michael Buhagiar |
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| John Thompson, the Poet as Broadcaster |
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Peter Kirkpatrick |
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| ‘Shapely Experience’ and the Limits of ‘Late Colonial Transcendentalism’: The Portrait of the Artist as Soldier in Roger McDonald’s 1915 |
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Christopher Lee |
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| Samson & Delilah: Herstory, Trauma and Survival |
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Susan Ryan-Fazilleau |
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| The Anthology of Colonial Australian Adventure Fiction, edited by Ken Gelder and Rachael Weaver |
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Simon Ryan |
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| That Mad Louisa, by Richard Handley |
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Sean Wade Ferrier-Watson |
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| Lighting Dark Places: Essays on Kate Grenville, edited by Sue Kossew |
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Natalie Quinlivan |
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| Writing the Nation: Patrick White and the Indigene, by Cynthia Vanden Driesen |
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Georgina Eve Loveridge |
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| Sensational Melbourne: Reading Sensation Fiction and Lady Audley's Secret in the Victorian Metropolis, Susan K. Martin and Kylie Mirmohamadi |
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Kate Mitchell |
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| Selected Prose of Dorothy Hewett, Edited by Fiona Morrison |
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Susan Sheridan |
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| Messengers of Eros: Representations of Sex in Australian Writing, by Xavier Pons |
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Damien Barlow |
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| The Empire Actors: Stars of Australian Costume Drama 1890s-1920s |
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Kate Flaherty |
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| Unsettling Stories: Settler Postcolonialism and the Short Story Composite, by Victoria Kuttainen |
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Nathanael O'Reilly |
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| Postcolonial Issues in Australian Literature, edited by Nathanael O'Reilly |
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Paul Sharrad |
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