Papers given at the ASAL conference of 1994, held at the university of New South Wales Australian Defence Force Academy campus in Canberra, convened by Susan Lever and Catherine Pratt
Table of Contents
Articles
| McKee Wright's 'O Rare Young Man: David McKee Wright's Bulletin debates with Jack Lindsay, 1922-25 |
Abstract
PDF
|
|
Michael Sharkey |
1-6 |
| Slessor's Darlinghurst Nights: Troping the Light Fantastic |
Abstract
PDF
|
|
Peter Kirkpatrick |
7-13 |
| What can you do with a horizon?: Landscape in Recent Australian Fiction and the Visual Arts |
Abstract
PDF
|
|
Gillian Tyas |
14-19 |
| Narratives of Emergence: Landscape photography in Late Nineteenth century Western Australia |
Abstract
PDF
|
|
Ned Rossiter |
20-27 |
| Contingency or Remedy? That Little Herb of Self-Heal |
Abstract
PDF
|
|
Kerry Goddard |
28-34 |
| Representations of Public and Private Bodies in the Written and Visual Work of Barbara Hanrahan |
Abstract
PDF
|
|
Felicity Thyer |
35-41 |
| Barbara Hanrahan's Work of Autobiographical Fiction |
Abstract
PDF
|
|
Georgina Mumme |
42-47 |
| 'City of Sighs': The Poetry of John Shaw Neilson |
Abstract
PDF
|
|
Laurie Clancy |
48-56 |
| Rosemary Dobson--The Text and The Textile |
Abstract
PDF
|
|
Marie-Louise Ayres |
57-63 |
| The Vernacular Country Club: Traditional experiment, experimental tradition and Les Murray's The Boys Who Stole the Funeral |
Abstract
PDF
|
|
Dean Kiley |
64-70 |
| 'Sweet Relief': The Politics of Erotic Experience in the Poetry of Lesbia Harford, Mary Fullerton and Zora Cross |
Abstract
PDF
|
|
Kate Chadwick |
71-78 |
| Dora's Antipodean Inheritors: psychiatric Therapy in Poppy, Julia Paradise, and Still Murder, |
Abstract
PDF
|
|
Helen Thomson |
79-86 |
| A Lost Novel by George Chamier |
Abstract
PDF
|
|
Carol Franklin |
87-92 |
| Monumental Authority and Regional Identity: The Canonisation of George Essex Evans |
Abstract
PDF
|
|
Christopher Lee |
93-99 |
| Early Convict Novels |
Abstract
PDF
|
|
Lurline Stuart |
100-104 |
| Should Non-combatants Write about War? |
Abstract
PDF
|
|
Geoff Page |
105-107 |
| A Gravitational Pull |
Abstract
PDF
|
|
Alan Gould |
108-112 |
| The Transformation of Experience into Literary Form in My Writings about the War |
Abstract
PDF
|
|
Don Charlwood |
113-115 |
| Australian Chivalry: Australian Chivalry? |
Abstract
PDF
|
|
Peter Pierce |
116-119 |
| Guns 'n' Roses: Australian Women Writers' Bold-And-Not-So-Bold Journeys into the Great War |
Abstract
PDF
|
|
Donna Coates |
120-126 |
| 'Apocalepsus': The Year of the Angry Rabbit and Braddon's View of Australia |
Abstract
PDF
|
|
Ron Blaber |
127-132 |
| Remaking Femininity and Desire: a Post-War Reconstruction Project |
Abstract
PDF
|
|
Pamela Murray |
133-138 |
| Reading Australian Poetry in the Indian Classroom |
Abstract
PDF
|
|
Pushpinder Syal |
139-144 |
| 'Asian Australian' migrant Identity: Brian Castro's Birds of Passage and After China |
Abstract
PDF
|
|
Cathy Bennett |
145-152 |
| Journey as Genre: The Search for Home and History in Arnold Zable's Jewels and Ashes |
Abstract
PDF
|
|
Marcelle Freiman |
153-158 |
| Auntie Rita's Story |
Abstract
PDF
|
|
Janine Little |
159-164 |
| Newcomers, Postmodernism and Feminist Experiment |
Abstract
PDF
|
|
Colleen Keane |
165-171 |
| Once More With Feeling - Sex and the Self-Discovery Narrative |
Abstract
PDF
|
|
Vivienne Muller |
172-179 |
| The Shaming of Australian Culture: Refracted Shame in Kathleen Fitzpatrick's Solid Bluestone Foundations |
Abstract
PDF
|
|
Rosamund Dalziell |
180-186 |
| 'A Novel I Believe In': Reading Elizabeth Jolley |
Abstract
PDF
|
|
Barbara Milech |
187-195 |
| 'It's all lies!': David Malouf's Johnno and Autobiography |
Abstract
PDF
|
|
Michael Stanier |
196-199 |
| Losing the Plot: Modernism and the Schizophrenic Woman in The Aunt's Story |
Abstract
PDF
|
|
Kate Macdonell |
200-206 |
| White Mythologies: Ethnicity and Identity in White and Joyce - Riders in the Chariot and Ulysses |
Abstract
PDF
|
|
John Docker |
207-211 |