Edited by Sharyn Pearce and Philip Neilsen, QUT
Table of Contents
Articles
| Literary Subjectivity |
Abstract
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|
Simon During |
1-12 |
| King Kong and Kung Fu: Asian and American Images in Georgia Savage's Gold Coast Novels |
Abstract
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|
David Mesher |
13-22 |
| Someone Else's Zoo: Asian Australian Women's Writing |
Abstract
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|
Tseen Ling Khoo |
23-29 |
| Liars vs The New Diversity: Is there an Alternative to 'Postmodernist' Literary Studies? |
Abstract
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|
Cameron Richards |
30-38 |
| 'Gold Out of Straw': An Introduction to the Life and Work of Amy Witting |
Abstract
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Yvonne Miels |
39-49 |
| Beyond the Verandah: Elizabeth Jolley's The Orchard Thieves and Drusilla Modjeska's The Orchard |
Abstract
PDF
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|
Tanya Dalziell |
50-56 |
| My Life as a Joke: Comic Australian Autobiography |
Abstract
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|
David McCooey |
57-63 |
| Telling Shameful Stories: Autobiography as Testimony |
Abstract
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|
Rosamund Dalziell |
64-75 |
| Mabel Forrest and the Witch |
Abstract
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|
Marie-Louise Ayres |
76-84 |
| The Fruit-Tree and the Veranda |
Abstract
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|
Carmel Gaffney |
85-94 |
| Rethinking Poetry and the Popular or How to Resuscitate and Immoral Piece of Poultry |
Abstract
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|
Peter Kirkpatrick |
95-102 |
| Between Two Deaths: The Love Poetry of Gwen Harwood |
Abstract
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|
Susan Schwarz |
103-109 |
| The Postcolonial Ghost Story |
Abstract
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|
Ken Gelder, Jane M Jacobs |
110-120 |
| 'Delirious Monologues': Christina Stead's 'Egotistical Monsters' |
Abstract
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|
Maria Sloggett |
121-128 |
| She Casts Herself as Revolutionary: Performance and Performativity in The Man Who Loved Children |
Abstract
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Brigid Rooney |
129-136 |
| Babylon or Jerusalem?: An Inversion of terms |
Abstract
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Elisa Morera De la Vall |
137-143 |
| The Aboriginal Fiction Maker and the White Fiction Maker: The Variant Perceptual Cognitions |
Abstract
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|
S.K. Sareen |
144-151 |
| bony as Grotesque: The Dilemma of National Identity in Arthur Upfield's Bony Series, 1930-1950 |
Abstract
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|
Glen Ross |
152-158 |
| Sounding Out History: Landscape and Exploration in Recent Australian Fiction |
Abstract
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|
Gillain Tyas |
159-163 |
| An Un-Becoming Paradise: The Yandilli Trilogy |
Abstract
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|
|
Greg Ratcliffe |
164-171 |
| Good Writing: The Ethics and Aesthetics of Fiction |
Abstract
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|
Patricia Kalnins |
172-179 |
| Collision Courses: Feminism, Postmodernism and The Monkey's Mask |
Abstract
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|
Margaret Henderson |
180-188 |
| A Rose Is A...:Maternal Debt in Ania Walwicz's Red Roses |
Abstract
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|
|
Alison Bartlett |
189-195 |
| Colour and Line to Word: The Writing of Janine Burke |
Abstract
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|
Roberta Buffi |
196-203 |
| The Search for Agency in the Fiction of Janette Turner Hospital |
Abstract
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|
Sue Lovell |
204-213 |
| Postmodernism, History and Satire: David Foster and Salman Rushdie |
Abstract
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|
Susan Lever |
214-220 |
| The Ethical Vision of Gerald Murnane |
Abstract
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|
Patrick West |
221-227 |
| The Milk of Mother's Kindness in Brian Castro's Drift |
Abstract
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Karen Barker |
228-235 |
| 'A Mob of Bloody Women'--Utopia,Collectivity and Multiplicity in Some Recent Fiction by Australian Women |
Abstract
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|
Eleanor Hogan |
236-242 |
| Aussie Rules: Writing and Social Practice in a Regional Community |
Abstract
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|
Jen Webb |
243-251 |
| 'Threatened People Don't Breed': The Maternal Strike in Australian Women's Writing 1920s to 1950 |
Abstract
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|
Nicole Moore |
252-261 |
| In Search of the Colonial 'Australian' Playwright |
Abstract
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|
Veronica Kelly |
262-269 |