| Miscegenations: Race, Culture, Phantasy |
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10-36 |
| “Disappearing Memory” and the Colonial Present in Recent Indigenous Women’s Writing |
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Carole Ferrier |
37-55 |
| Engaging the Public Intimacy of Whiteness: the Indigenous Protest Poetry of Romaine Moreton |
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Anne Brewster |
56-76 |
| David Unaipon's Style of Subversion: Performativity and Becoming in "Gool Lun Naga (Green Frog)" |
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Benjamin Miller |
77-93 |
| Taking/ Taking Up: Recognition and the Frontier in Grenville’s The Secret River |
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Adam Gall |
94-104 |
| Gardening in Hell: Abject Presence and Sublime Present in Dead Europe and The Vintner's Luck |
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Laura Joseph |
105-113 |
| "Dancing the Old Enlightenment": Gould's Book of Fish, the Historical Novel and the Postmodern Sublime |
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Jo Jones |
114-129 |
| Australian Classics and the Price of Books: The Puzzle of the 1890s |
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Paul Eggert |
130-157 |
| Australian Literature and the New Empiricism: A reponse to Paul Eggert, "Australian Classics and the Price of Books" |
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Robert Dixon |
158-162 |
| The Promiscous Carter Brown |
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Toni Johnson-Woods |
163-183 |
| Beyond the Colonial Present: Quantitative Analysis, 'Resourceful Reading' and Australian Literary Studies. |
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Katherine Bode |
184-197 |
| Reprints, International Markets and Local Literary Taste: New Empiricism and Australian Literature |
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Jason Donald Ensor |
198-218 |
| Notes on Contributors |
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Gillian Whitlock, Victoria Kuttainen |
219-220 |