| Christina Stead and the Synecdochic Scam: The Little Hotel |
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Judith Kegan Gardiner |
13-28 |
| Crossing the Rubicon: Abjection and Revolution in Christina Stead's I'm Dying Laughing |
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Brigid Rooney |
29-40 |
| Christina Stead's Last Book: The Novel and the Best-Seller |
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Susan Sheridan |
41-52 |
| Whatever Happened to Coppelius? Antecedents and Design in Christina Stead's The Salzburg Tales |
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Michael Ackland |
53-66 |
| The Totally Incredible Obscenity of Letty Fox |
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Nicole Moore |
67-80 |
| Christina Stead's Workshop in the Novel: How to Write a 'Novel of Strife' |
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Susan Lever |
81-92 |
| A Note on Christina Stead and China |
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Jianjun Li |
93-98 |
| Christina Stead in Japanese |
PDF
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Margaret Harris |
99-104 |
| Gertrude and Elizabeth: Letters, Lives and Fictions |
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Delys Bird |
105-120 |
| Constructing Aboriginality: Archibald Meston's Literary Journalism, 1870-1924 |
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Cheryl Taylor |
121-140 |
| "The Colour of Your Moustache" Or Have Feminists Always Been Humourless |
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Susan Magarey |
141-156 |
| Writing in "A Fairy Story Landscape": Fairy Tales and Contemporary Australian Fiction |
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Lisa M. Fiander |
157-166 |
| Homelands vs "The Tropics": Crossing the Line |
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Lyn Jacobs |
167-178 |
| Reviews |
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Frances Devlin Glass, Andrew McCann, Ken Gelder, Chris Hill, Rachael Weaver, Peter Kirkpatrick |
179-200 |