The Preservation team at the National Library of Australia have recently been working with a number of amazing items that are now on display as part of the Melodrama in Meiji Japan exhibition. Many of these include stunningly beautiful and brightly coloured Japanese woodblock prints, also termed Kuchi-e (pronounced ‘koo-chi-eh’), literally translated as ‘mouth-picture’. A major part of the exhibition were the prints donated by Professor Richard Clough from 2011 to 2014.
This little red book about the papers and speeches of Colonel Hutton 1894-1898 was recently brought up to the Preservation lab for a few repairs. When we took a closer look, it was evident that this leather tightback with false raised bands had not only lost its lower board with its upper board hanging on by a thread, but it had already received some treatment in the past.
Deep within the depths of our book stacks is a room filled with every bibliophile’s dream—thousands and thousands of old books. The rare book stack contains a wonderfully diverse collection of Renaissance and Early Modern-era parchment bindings. As part of our founding collections these books are affectionately called our ‘Grandpa books’.
The following true story nicely illustrates what digital preservation is about and why it is important.
Some time ago, a user in our Main Reading Room requested an item from our collection titled ‘The Complete First Fleet’. This database of all 1,441 people known to have been part of the First Fleet published in 1992 is an example of our early digital collections.
In light of Born Digital Week, it seems appropriate to write a blog on some of the challenges we and other institutions face when it comes to looking after born-digital content. So let’s take a closer look at a born-digital item in our collection which highlights some of the processes and challenges of preserving and maintaining access to digital content.
Most of us have moved into the digital world in order to work, communicate, take photos, and generally to run our lives. But the huge storage capacity of contemporary computers and other devices, and a sense of being too busy, mean that many people have chaotic personal digital archives, disorganised and prone to accidental loss.
If our digital archivists could be angels on the shoulders of digital content creators, they would bestow 4 pieces of wisdom.
Hidden away up on the fourth floor of the Library, the Preservation lab is always using weird and wonderful tools to undertake conservation treatment on our wide range of collection material.
2015 has been an exciting year with the lead up to our upcoming exhibition, Celestial Empire: Life in China 1644–1911. Preservation staff have been working hard to prepare a number of items for display including books, pith albums, and maps. Some of these items required stabilising repairs so they could be safely mounted, handled, and exhibited.