This appeal closed on 22 May 2016. Any donations received after this date will be directed towards The National Library of Australia Fund, which supports conservation and digitisation of the Library’s collection.

Pith paper painting of Cantonese Emperess

Detail from Zhongguo gu dai jiang ling ren wu miao hui hua ce, late 19th century, nla.gov.au/nla.cat-vn6574402

Help us preserve Chinese pith paper paintings in our collection

We all collect souvenirs of our travels – and so did the first Western visitors to China. These memories of past journeys now need your help.

From the 19th century, Chinese artisans in and around Canton produced vivid watercolours on pith paper for sale to Western visitors. Small, inexpensive and easy to transport, they made convenient souvenirs or gifts for loved ones. Developed to appeal to Westerners, pith paper paintings did not represent traditional Chinese aesthetics and many of the images played to Western preconceptions of China. Yet the paintings are exquisitely detailed, informative, and beautiful, and depicted the excitement Westerners would have experienced in the trading ports of 19th century China. 

Our collection of Chinese pith paper paintings comes from a variety of sources and is in a number formats, including albums and individual paintings rendered in mediums of gouache and ink. There are nearly 400 items in the collection, with subjects including:

  • the emperor and senior officials of the Chinese court, and their ladies
  • traditional legal punishment used in imperial China
  • Chinese women engaged in silk spinning, weaving and embroidery, and
  • Chinese junks and other boats

A small selection of these albums and paintings will be on display in the exhibition, Celestial Empire: Life in China, 1644-1911, from 2 January to 22 May 2016.

Detail from Qing dai min jian sheng huo tu: yu le tu late 19th century, nla.gov.au/nla.cat-vn5783555

What is pith paper?

Pith paper (also incorrectly referred to as rice paper) is formed from the pith of the small tree Tetrapanax Papyrifera, native to south-west China. For use in painting, it is cut by hand with a knife into thin sheets from short lengths of the spongy tissue. Pith was both inexpensive and readily available to Chinese artisans of the time.

How you can help

Chinese pith paper paintings are delicate and fragile, often featuring ribbon borders. Many of these rare items require preservation treatment to ensure their survival into the future. More detailed description of the paintings will improve understanding of their significance. Complete digitisation will also provide the opportunity for digital repatriation of these items to China and support international research collaborations.

With your support, our unique collection of Chinese pith paper paintings will be preserved to the highest standards for all Australians to discover.

How to donate

Your contribution to the preservation and digitisation of the Chinese pith paper paintings from our will make a significant difference to the work we do.

Donate

Donate online, download a donation form (PDF, 693KB) or phone the Development Office on 02 6262 1336 to make a donation. Donations over $2 are tax-deductible.

Chinese pith paper painting of nineteenth century Cantonese law court

Detail from Qing dai xing fa ji lu, 19th century, nla.gov.au/nla.cat-vn6005086