MS 2294 Papers of Varney Monk
Creator: Monk, Varney, 1892-1967
Title: Papers of Varney Monk
Date range: c1907-1986
Reference number: MS 2294
Extent: 5.52m (17 boxes + 1 folio box)
Access
Available for reference
Provenance
The bulk of the collection was originally acquired by the National Film
and Sound Archive (later ScreenSound Australia) in 1986, from Monk's daughter,
Pam Evans. It was transferred from ScreenSound to the National Library in 1998.
In 1969, 14cm of material relating to Collits' Inn was donated to the
Library by Monk's son, Ian.
This collection comprises mainly scores of musical compositions by Monk,
the bulk of which relate to her two professionally produced musical comedies of
the 1930s, Collits' Inn and The cedar tree. There are also
compositions based on poems of Henry Lawson and Henry Kendall and a small
amount of correspondence relating to her professional career. Correspondents
include Angus and Robertson, the Australian Broadcasting Commission, Howard
Carr, Fred Kendall (son of Henry Kendall), Katharine Susannah Prichard and
Colin Roderick.
The papers of Varney Monk provide a record of the pioneering role she
played in promoting the use of Australian themes and settings in the performing
arts at a time when overseas shows featuring overseas artists dominated the
Australian theatre circuit.
Organisation
The Library has arranged the papers into nine series and within each
series, grouped like papers together. The papers relating to Collits'
Inn, which were received by the Library in 1969, have been combined with
those received from ScreenSound Australia in 1998.
Monk dated very few of the compositions in the collection. At the start
of her career and before her marriage, she experimented with variations of her
maiden name for use as her professional name. They include Varney Desmond,
Isabel Varney and Varney Peterson, which she was using in c1904. Where she has
used one of these variations, the name has been noted in brackets after the
description of the work, as a means of roughly dating the composition.
Related Material
The Mitchell Library holds cutting books of Cyril and Varney Monk
Varney Monk was a composer and pianist. She was born Isabel Varney
Desmond Peterson on 18 January 1892 at Bacchus Marsh, Victoria, the daughter of
Ernest John Peterson and Miriam Jane (née Roberts). On 22 December 1913,
she married the violinist Cyril Monk, with whom she had two children.
Monk composed her first song in her early teens entitled When roses
fall, which was published by Palings, and in 1923 she won The Sunday
Times song competition with her work 'The old bush track'. She went on to
become a prolific composer, with the majority of her compositions being based
on Australian themes. She felt very strongly that Australian history provided a
rich wealth of material for plays, films and literature and that it was
possible to give Australian audiences something which was different, but at the
same time essentially their own. The appeal of Monk's work was the fact that it
was fresh and original, and not a copy of overseas works.
In collaboration with T. Stuart Gurr, Monk wrote the first
professionally produced Australian musical comedy, Collits' Inn.
Staged by F.W. Thring and starring Gladys Moncrieff and George Wallace, the
musical premiered at the Princess Theatre, Melbourne in 1933, where it ran for
four months. This was followed by a Sydney season of three months at the Tivoli
Theatre. The fact that the setting was not an exotic foreign location, but one
based on Australia's colonial past had an enormous impact on Australian
audiences of that time, and the production of Collits' Inn was
described as the beginning of a new era for Australian stage productions.
Monk's second musical comedy, written in collaboration with Helene and
Edmund Barclay and entitled The cedar tree, followed in 1934. It was
also staged by F.W. Thring and, although warmly received and enjoying a three
month run at the Princess Theatre in Melbourne, it did not receive the same
critical acclaim that had been afforded Collits' Inn.
During the course of her career, Monk produced over 150 songs. In
addition to composing works with her own lyrics, Monk set to music the poems of
several Australian poets, including those of Henry Lawson and Henry Kendall. In
1966 she won the Henry Lawson Festival Song Award at Grenfell for her song
A world of wattle.
Varney Monk died on 7 February 1967.
References
Australian Dictionary of Biography Bronwen Arthur, 'The Pub
with no Peer, or Collits' Inn: the first Australian musical romance',
in One hand on the manuscript: music in Australian cultural history,
1930-1960, ed Nicholas Brown (et al), Canberra, Humanities Research
Centre, Australian National University, 1995
| Series |
Title |
| 1 |
Correspondence, 1948-1986 |
| 2 |
Collits' Inn, 1935-1951 |
| 3 |
The cedar tree |
| 4 |
Musical compositions by Monk |
| 5 |
Musical compositions for poetry |
| 6 |
Henry Lawson poetry set to music by Monk,
1942-1966 |
| 7 |
Henry Kendall poetry set to music by Monk,
1935-1966 |
| 8 |
Biographical papers |
| 9 |
Cuttings |
Series 1 Correspondence, 1948-1986
This series comprises a small amount of business correspondence relating
to performances of Monk's works, mainly with the ABC. There is also
correspondence with the HMS Endeavour Trust, regarding Monk's
suggestion that it consider recording her song Australia as a fund
raising project and with the Melbourne Bread and Cheese Club Composer's &
Songwriter's Group (1948) regarding Monk's entries in its competition.
1 folder
Series 2 Collits' Inn, 1935-1951
In collaboration with T. Stuart Gurr, Monk wrote the musical comedy,
Collits' Inn as an entry in a competition run by Natalie Rosenwax of
the Opportune Club. A romantic comedy, it was based on the story of Pierce
Collits and his wife Mary, who, it is claimed, travelled with Blaxland, Lawson
and Wentworth across the Blue Mountains in 1813. The Collits remained at
Hartley Vale, where they opened the first inn on the western side of the range.
Collits' Inn was first presented as an amateur production by
Natalie Rosenwax in the Mosman Town Hall. The show was offered to J.C.
Williamson, who turned it down. It was F.W. Thring (Efftee Productions) who
finally undertook to stage the musical professionally, in a bold attempt to
provide an Australian alternative to the predominately overseas shows featuring
overseas artists, which dominated the Australian theatre circuit at that time.
The musical was a huge success, receiving enthusiastic reviews and delighting
audiences with its portrayal of colonial Australian life.
With its premiere at the Princess Theatre, Melbourne on 23 December
1933, Collits' Inn became the first professional production of an
Australian musical. Produced by Claude Flemming, the cast included Gladys
Moncrieff, George Wallace and Robert Chisholm and after completing a four month
season in Melbourne, the show moved to the Tivoli Theatre in Sydney for a three
month season. The production was also notable for incorporating the first
revolving stage ever used in Australia.
This series contains a large collection of papers, which relate mainly
to the professional production of Collits' Inn. Included are
orchestral parts, voice parts and scripts. In many cases there are several
arrangements of the same work, including those by both Howard Carr and Hal
Evans, and it is difficult to determine which is Monk's original work. There
are also photographs and technical details of stage settings, lists of
performers, wardrobe lists and designs for costumes.
A small amount of correspondence is included in this series, the bulk of
which comprises letters from Howard Carr. There is also a letter from Monk to
Sir Oswald Stoll in London (1935), broaching the possibility of the musical
being produced over there.
Included in this series are the words and/or music for the following
compositions: Aboriginal chant; Australia; Blue Mountains; Bushrangers' song;
The chaperone; Corroboree ballet; Dangerous Dandy Dick; Drinking song;
Duddawarra River; Happy with you; How I love you; I'll wait for my true love;
Last year; Making memories; A laugh and a kiss; The man in the cabbage tree
hat; Melos; My desire; My valentine; Next year; Only you; Outlaw's song;
Overture; The Redcoats; The road song; The rouseabout; Sally at the sliprail;
See what loves done to me; Some distant day; Square dance; Stay while the stars
are shining; Sweet William; That's what love does to me; They're in love; This
year; Waltz ballet and We're singing of Australia
Folder/packet
1 Correspondence, 1935-1951 Newspaper cuttings and notes by Monk
Photographs of stage sets and publicity photographs of George Wallace, Robert
Chisholm and Claude Flemming
2 Melbourne and Sydney productions (1934-1935): wardrobe lists, lists of
performers and technical notes regarding lighting, electrical requirements,
switchboard and props
3 Original working script of T. Stuart Gurr Five watercolour costume
designs by Pierre Fornari Pty Ltd
4 Ground plans of stage settings Manuscript and typescript of three
songs, words by Ailsa Bosten and music by Hal Evans Loose pages of script
5 Scripts for the characters of Mary, Sally and Dandy Dick Rough set
drawings and heavily annotated script (71pp)
6 Script (39pp) with notation 'Original script as used at Edgar Hall'
7-8 Eight copies of the same version of the script (28pp each)
9 Score (incomplete) with notation 'this was as it was sent in to Miss
Rosenwax's competition and written out by my singer friend Phillipa Ashton'
10 Complete piano score with notation 'The original music as used in
Princess Theatre' and 'edited by Howard Carr'
11 Score with notation 'All these are Howard Carr's corrections of my
original manuscript'
12 Howard Carr's full score
13 Conductor's guide
14 Orchestrations of Hal Evans Three orchestral versions of the song
'Australia', one by Howard Carr and two by Robert Keers
15 Words and music: Australia and Blue Mountains (both published by
Chappell & Co.), Drinking song; Duddawarra River, How I love you, Last
year, A laugh and a kiss
16 Words and music: The man in the cabbage tree hat
17 Words and music: Making memories, My Valentine, Next Year, The road
song, The rouseabout, stay while the stars are shining
18 Words and music: Sally at the sliprails, Some distant day; They're in
love; This year, We're singing of Australia
19 Orchestral parts: Bass
20 Orchestral parts: Bassoon
Folder/packet
21 Orchestral parts: Cello
22 Orchestral parts: Clarinet
23 Orchestral parts: Flute
24 Orchestral parts: Harp
25 Orchestral parts: Horns
26 Orchestral parts: Oboe
27 Orchestral parts: Percussion
28 Orchestral parts: Piano
29 Orchestral parts: Trombone
30 Orchestral parts: Trumpets
31 Orchestral parts: Tympani
32 Orchestral parts: Viola
33-34 Orchestral parts: 1st Violin
35 Orchestral parts: 2nd Violin
36 Orchestral parts: Aboriginal dance, Australia, Blue Mountains
37 Orchestral parts: The chaperone, Corroboree ballet
38 Orchestral parts: Dangerous Dandy Dick, Drinking song, Duddawarra
River
39 Orchestral parts: Entr'acte preceding Act II, Entr'acte preceding Act
III Scene I, Finale Act II, Finale Act III
40 Orchestral parts: How I love you
41 Orchestral parts: I'll wait for my true love
42 Orchestral parts: A laugh and a kiss, Last year
43 Orchestral parts: The man in the cabbage tree hat
44 Orchestral parts: Making memories, Melos
45 Orchestral parts: My desire, My Valentine, Next year
46 Orchestral parts: Only you, Outlaw's song
47 Orchestral parts: Opening chorus, Overture
48 Orchestral parts: The road song
49 Orchestral parts: The rouseabout, The redcoats
50 Orchestral parts: Sally at the sliprails
51 Orchestral parts: See what love's done to me
52 Orchestral parts: Some distant day
53 Orchestral parts: Stay while the stars are shining
54 Orchestral parts: That's what love does to me, They're in love, This
year
55 Orchestral parts: Waltz ballet
56 Chorus parts: Australia, Dudawarra River, Outlaw's song, The
redcoats
57 Chorus parts: Howard Carr's arrangements
58 Chorus parts: Hal Evans' arrangements
59 Chorus parts: master copy
60 Voice parts: duet, trio and quintette
61 Voice parts: characters of Carthew, Mistress Dale, Dandy Dick
62 Voice parts: characters of Kate, Keane, Lake
63 Voice parts: characters of Mary, Nell, Sally Vocal line: Some
distant day Music - Ballet Mistress
64 Miscellaneous loose pages of unidentified music
Series 3 The cedar tree
F.W. Thring encouraged Monk to follow up the success of Collits
Inn, leading to her second professionally produced theatrical work.
The cedar tree, a musical comedy set in the 1830s, was based on the
history of the cedar tree and the ship building industries in the Windsor
district of New South Wales. Helene and Edmund Barclay wrote the play and Monk
wrote the music and collaborated with Helene Barclay on the lyrics. Howard Carr
did the voice arrangements and Carr and Willy Redstone the orchestration.
Thring premiered the play at the Princess Theatre, Melbourne in 1934
where it enjoyed a three month season. However, on transferring to the
Criterion Theatre, Sydney it only ran for three weeks. Starring Gladys
Moncrieff and Alfred Frith, the show was produced by Claude Flemming and
conducted by Will Quintrell.
This series comprises papers relating to the production of The cedar
tree and includes orchestral parts and words and music for songs, voice
parts and the script.
Included in this series are the words and/or music for the following
compositions: Australian bird ballet; Bush dance; The cedar cutters' song; The
Cedar tree; Coo-ee; Cupid follows the mode; Drinking chorus; Every song of
love; Finale; Following the sun around/Following the sun/We'll follow the sun;
Forty miles from Sydney Town; Hawkesbury River Road; How I love you; I did not
know; I'd love to be a statue in the park; I'm happy with you; It had to be;
March of the pioneers/Pioneer's march; Marching song; Outcast; Overture; Pie
song/The flying pieman's song; Shipwrights' chorus; Soldiers' march; Well, well
- fancy meeting you; We never really meant goodbye; Wild emu/Why does the wild
emu; Words, words, words; You're every song of love
Folder/Packet
| 1 |
Newspaper cuttings and notes by Monk Scripts for the parts of
Captain Grudgeon, Dianella Weston, Carvell Weston and Nitson |
| 2 |
Early drafts of some of the songs Original rough drafts of
songs, with corrections by Howard Carr and Willy Redstone |
| 3 |
Piano score |
| 4 |
Words and music: Bush dance, The cedar-cutters, The Cedar tree,
Coo-ee and Cupid follows the mode |
| 5 |
Words and music: Following the sun, Forty miles from Sydney Town,
Hawkesbury River Road, How I love you, I did not know, I'd love to be a statue
in the park |
| 6 |
Words and music: I'm happy with you, It had to be you, March of
the pioneers, Outcast, Pie song |
| 7 |
Words and music: Shipwrights' chorus, Well, well - fancy meeting
you, Wild emu, You're every song of love, Words, words, words, |
| 8 |
Words and music: We never really meant goodbye |
| 9 |
Orchestral parts: Australian bird ballet, Bush dance |
| 10 |
Orchestral parts: Cedar-cutters' song, Cedar tree |
| 11 |
Orchestral parts: Coo-ee, Cupid follows the mode |
| 12 |
Orchestral parts: Following the sun, Forty miles from Sydney
Town, Hawkesbury River Road, Finale |
| 13 |
Orchestral parts: I did not know, I'd love to be a statue in the
park, I'm happy with you, It had to be you |
| 14 |
Orchestral parts: March of the pioneers, Overture, Soldiers'
march |
| 15 |
Orchestral parts: Shipwrights' chorus, We never really meant
goodbye |
| 16 |
Orchestral parts: Wild emu, You're every song of love, Words,
words, words |
| 17 |
Orchestral parts for violin |
| 18 |
Voice parts: principals |
| 19 |
Voice parts: chorus |
| 20 |
Musical score: ballet Musical scores and notes for the
rehearsing pianist |
| 21 |
Miscellaneous loose pages of music and notes |
Series 4 Musical compositions by Monk
During the course of her career, Monk produced over 150 songs. She
believed strongly that her music should reflect Australian history, places and
events and this is evident in the titles and themes of many of her
compositions.
This series includes the musical scores for a number of Monk's works,
listed alphabetically by title. Most of the works are undated. However, where
Monk has used a variation of her name, indicating that they are early
compositions, this name has been included in brackets after the title as an
indication of the approximate date.
Packet
1. All I ask At the Maryborough Ball Autumn song Baby
ballads (music and words for nine short songs) Babylon (Varney Desmond
Monk) Banana Festival Dance
2 Blue Australian sky Broken Bay Broken Hill (winning song at
the Broken Hill Jubilee competition, nd) Bush lonely Coffs Harbour
3 Concerto, c1909 (Varney Peterson) English dance (Varney Peterson)
4 From the obelisk to the carillon: songs of Old Sydney. A book which
includes the songs: The bells of Bathurst (dedicated to the memory of Ben
Chifley, who was born and died in Bathurst), In Macquarie Place, Martin Place,
The Old Tank Stream, The road to Hartley, South Head light and Sydney now.
5 For violin Gavotte Goondiwindi Grandfather's clock
Here to Montreal
6 He's here/She's here Homeward, words by Varney Monk, music by Beth
Howell Honeymoon land (Varney Desmond) A honeymoon up in the sky
(Varney Desmond) Hungarian dance, 1907 (Varney Peterson)
7 I had a dream
8 I'm in the seventh Heaven I'm singing of Australia I'm so
tired of crying about you (Varney Desmond) Indian hawker
9 In Martin Place, published by Nicholson's, Sydney, nd In
May I only want a starry night and you (Varney Desmond) I've been unlucky
in love (Varney Desmond) I've got an everlasting love for you
10 Journeys end (Varney Desmond) Kiss me goodnight (Varney Desmond)
The Kookaburra's corrobborree, published by Nicholson's & Co.,
Sydney, nd A lament, c1904 (Varney Peterson) The lingering lullaby
(Isabel Varney)
11 A little home where someone waits for me Little Miss Victoria
A little street The little winding stream (Isabel Varney Peterson)
12 Lochinvar - dedicated to Sister M. Angela, St Josephs' Convent,
Lochinvar, NSW The man in the band The man with a million fans A
Mexican serenade Nullarbor
13 The old bush track (Varney Desmond Monk), published by
Nicholson's, Sydney, nd Only a mile to go (Varney Desmond) Only just
lonely (Varney Desmond) Orange now
14 Over a wall in Mexico Over the water Over the water
tonight Pebble in a pool, published by Nicholson's Pty Ltd,
Sydney, nd
15 Picking apples Prelude - Impatience (Isabel Varney) Prelude -
To a lonely mountain (Varney Peterson), 1910 Raindrops (Varney Desmond)
Revonah waltz (Isabel Varney) Same old words, 1958
16 Serena, published by Chappell & Co., Sydney, nd
17 Serenade (Varney Peterson) So lonely (Varney Desmond) So long
Mareeba Some day you'll be sorry
18 Songs of the South - a book of songs written when Monk was about 16
years old and calling herself Varney Peterson. Includes the following song
titles: Down by the creek, In the hush of the bush, The little brown bird, A
summer storm, Wattle bloom, Where the locusts drone and Wild rose
19 Spanish rose Stepping stones Sunshine of love (Varney
Peterson) Sur le toit (Isabel Varney) Taree
20 There's got to be wedding bells They're holding hands in
Sydney Three thousand years ago Two hearts on a gum tree
21 Two little feet (Isabel Varney) Two lovers enchanted
again Under the stars (Isabel Varney) Up in the clouds Waltz caprice
(Isabel Varney)
22 A wandering little waltz Wandering waltz The way they get the
ring (Varney Desmond) We'll bring you cobbers back We're so glad to be
home, music by Joyce West When love again comes smiling thro the door
(Varney Desmond) When the war is over
23 When the wattle's glowing golden When you belong to me - arranged
as a duet and orchestrated by Willy Redstone Whisper one goodnight Why
did we fall in love Winter silhouette (music)
24 Wishing room (Varney Desmond) Won't you kiss me goodnight (Varney
Desmond) A world of wattle, published by Chappell & Co.
Sydney, 1958/59 Written in the sky Hurrah for the flying Doctor, words
by Sarah Sheldon, music by Meta Maclean Miscellaneous loose pages of music
Series 5 Musical compositions for poetry
As well as writing her own lyrics for her compositions, Monk also set
the poems of a number of poets to music, including those of Adam Lindsay Gordon
and Ian Mudie. Included in this series are the musical scores of a number of
these works, listed alphabetically by title of the work, followed by the name
of the author.
Most of the works are undated. However, where Monk has used a variation
of her name, indicating that they are early compositions, this name has been
included in brackets after the title as an indication of the approximate date.
| 1 |
Australia calls me home, Jack Macleod |
| |
Beside the cypress pine, Jim Grahame |
| |
A cradle song, W.B. Yeats |
| |
A dedication, Adam Lindsay Gordon |
| |
The exile, John Egan (Varney Desmond) |
| 2 |
A fancy, Archibald Sullivan |
| |
God speed, Will H. Ogilvie |
| |
Horseflesh, Ian Mudie, c1954 |
| |
How we should sleep, Algernon Swinburne (Varney
Peterson) |
| |
I long to hear you call, Eva Rutherford |
| 3 |
In the month of June, Helen Taylor |
| |
Island reverie, John Wheeler |
| |
Let the world go by, John Wheeler |
| |
Love thoughts, Ruckert (Varney Peterson) |
| |
May Day, John Quigley |
| |
The old home, Jim Grahame Requiescat, Rosamund
Marion Watson |
| 4 |
Salt Bay, Galway, Mary Fullerton |
| |
Sandalled feet, Fred G. Bowles (Varney Desmond) |
| |
Shepherd's song, Olive Ingall |
| |
There's going to be good news, Helene
Barclay, published by Chappell & Co. Sydney, nd |
| |
The songmaker, Sarah Teasdale (Varney Peterson) |
| |
To a bunch of heather, Will H. Ogilivie |
| |
What shall a man remember, Victor Daley |
| |
The white room, Buckridge (Isabel Varney) |
| |
Woodlands/A woodland idyll, Eva Rutherford (Isabel
Varney) |
Series 6 Henry Lawson poetry set to music by Monk,
1942-1966
Monk set to music some of the poetry of Henry Lawson (1867-1922). The
music was very popular at the annual Henry Lawson Festival in Grenfell and was
broadcast regularly on the ABC to commemorate the poets birthday.
This series contains musical scores for Lawson's poems Kiss in the
ring, On the night train, The sliprails and the spur and
When the world was wide. Also included is correspondence, notes,
programs featuring performances of the works and cuttings relating to Monk's
writing of the songs and her interest in Lawson. Correspondents include Angus
and Robertson regarding permission to use the poems, the ABC regarding the
recording of the songs, Colin Roderick and Katharine Susannah Prichard.
Folder/Packet
| 1 |
Scrapbook containing loose correspondence (1942-1961), notes,
newspaper cuttings and programs, 1942-1966 |
| 2 |
Newspaper cuttings and notes, 1946-1965 |
| 3 |
Music books, each containing music for all four songs, dating
from 1924 |
| 4 |
Musical scores for Kiss in the ring (includes orchestral
and voice parts) |
| 5 |
Musical scores for On the night train |
| 6 |
Musical scores for The sliprails and the spur |
| 7 |
Musical scores for When the world was wide |
| Folio 1 |
Cuttings relating to Lawson |
Series 7 Henry Kendall poetry set to music by Monk,
1935-1966
Monk set a number of the poems of Henry Kendall (1839-1882) to music.
Included in this series are musical scores, correspondence and notes relating
to these works, which were in the form of a songbook entitled 'A singer of the
dawn'. The songbook was dedicated to the memory of Mrs A.M. Hamilton-Grey,
whose biography of Kendall entitled Kendall, our "God-made chief", "a
singer of the dawn": a continuation of Poet Kendall, making a complete history
from cradle to grave was published in Sydney in 1929.
Correspondents include Fred Kendall, son of Henry Kendall; E.J. Dolly
of the Henry Kendall Cottage Committee; Joseph Fagan, whose family had
befriended Kendall in Gosford when he was destitute and Maud Black, a one time
lady's help to Monk, who had co-incidentally taken a job caring for Mrs
Hamilton-Grey.
Folder/Packet
1 Correspondence, 1935-1966
2 Notes by Monk about Kendall and the poems she set to music
3 Songbooks containing compositions for 'A singer of the dawn'
4 Musical score for Bellbirds Musical score for Lines
to a young mother Musical score for The muse of Australia
5 Musical score for Names upon a stone Musical score for
Rose Lorraine Musical score for September in Australia
Folio 1 Script and music for a 45-minute performance of 'A singer of the
dawn' and cuttings relating to Kendall
Series 8 Biographical papers
This series comprises a small collection of cuttings and notes relating
to Monk's career.
1 folder 1 folio packet
Series 9 Cuttings
Contained in this series are a small number of magazine and newspaper
cuttings on Australian historical subjects. 1 folio packet
| Box |
Series |
Folder/Piece |
| 1 |
1 |
1 |
| 1 |
2 |
1-7 |
| 2 |
2 |
8 |
| 2 |
3 |
1 |
| 2 |
6 |
1-2 |
| 2 |
7 |
1-2 |
| 2 |
8 |
1 |
| 3 |
2 |
9-18 |
| 4 |
2 |
19-24 |
| 5 |
2 |
25-30 |
| 6 |
2 |
31-36 |
| 7 |
2 |
37-43 |
| 8 |
2 |
44-50 |
| 9 |
2 |
51-58 |
| 10 |
2 |
59-64 |
| 11 |
3 |
2-9 |
| 12 |
3 |
10-15 |
| 13 |
3 |
16-21 |
| 14 |
4 |
1-8 |
| 15 |
4 |
9-20 |
| 16 |
4 |
21-24 |
| 16 |
5 |
1-4 |
| 17 |
6 |
3-7 |
| 17 |
7 |
3-5 |
| Folio Box 1 |
6 |
Folio 1 |
| Folio Box 1 |
7 |
Folio 1 |
| Folio Box 1 |
8 |
Folio 1 |
| Folio Box 1 |
9 |
Folio 1 |
May 2002.
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