Mabo
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A painting of a man with black hair and beard on white background

The Mabo v Queensland (No. 2) decision was handed down in the High Court of Australia on 3 June 1992. ‘Mabo’—as it has come to be known—altered the foundation of land law in Australia. It provided official recognition of the inherent rights of Indigenous Australians to their traditional lands.

The National Library of Australia holds an extensive collection of material relating to the Mabo decision and to its lead applicant, Eddie Koiki Mabo. To celebrate the 30th anniversary of the Mabo decision, the National Library invited Gail Mabo, Eddie’s daughter, to select material for display to mark this landmark moment in Australian legal history.

Gay Law Reform
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Poster advertising a rally for gay law reform to be held 4pm Thursday 31 August 1989

In 1988, Ted Kelk and Pat O’hara founded the Queensland Association for Gay Law Reform (QAGLR). With the recent election of the Wayne Goss Labour government in Queensland, ending 32 years of conservative government rule, progressive groups such as QAGLR had the opportunity to petition a more receptive government to end laws criminalising homosexuality. After a concerted lobbying and submission effort, the Queensland government passed The Criminal Code and Another Act Amendment Act, 1990, decriminalising sex between consenting men.

Cook's Endeavor Journal
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Journal of H.M.S. Endeavour, 1768-1771

British naval captain James Cook kept this important journal during the voyage of HMB Endeavour to the South Pacific. Between April and August 1770 Endeavour travelled up the east coast of Australia, landing at various spots and mapping the area. Cook claimed the land for Great Britain and called it 'South Wales', later revising this to 'New South Wales'. Written in Cook's own hand, the journal records his observations of the First Nations peoples and the places he encountered. In 1923 the Australian government purchased the journal for the nation at a cost of £5,000.

Celebrated Artist
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Painting of chrysanthemums

Australian artist Ellis Rowan primarily worked in watercolour and gouache, and is best known for painting Australian native flowers. She caused a stir at the 1888–89 Centennial International Exhibition in Melbourne when her painting Chrysanthemums won First Order of Merit and Gold Medal. This similar painting, depicting the same type of flower, is a more recent addition to the Library’s vast Rowan Collection, the bulk of which was acquired for the nation for £5,000 in 1923.

Bennelong's Letter
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Letter written in cursive script on yellowing paper

This document records the earliest known piece of writing by an Indigenous Australian. The manuscript is the only contemporary copy of a dictated letter which appears to have been copied verbatim by an unknown scribe. The author, Bennelong, a leader of the Wangal people, and his young kinsman, Yemmerrawanne, became the first Indigenous Australians to travel to England in December 1792. During the trip, they both fell ill. Sadly, Yemmerrawanne died and Bennelong returned home alone in 1795. In this letter to Mr and Mrs Phillips Bennelong profusely thanks them for looking after him.

The Bard of the Bush
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A photograph of Australian poet Banjo Paterson in side profile. He wears a hat and a suit jacket.

Andrew Barton ‘Banjo’ Paterson is arguably Australia’s most celebrated poet. White settler culture and the bush were his subjects, the bushman his hero. A practising solicitor, Paterson began publishing poems in the popular journal The Bulletin under the pseudonym ‘The Banjo’, taken from a racehorse owned by his family. The popularity of his works led to the publication of his first collection of poems, The Man from Snowy River and Other Verses in 1895. Featuring in the Gallery is a display on Paterson and his contemporary Henry Lawson.

Kaaroo
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Hand-drawn picture of Kaaroo

Kaaroo (c. 1777–1852), known to Europeans as Cora Gooseberry, was a significant Murro-ore-dial knowledge-keeper, daughter of the prominent leader Moorooboora, and the principal wife of Bungaree. For more than two decades after Bungaree’s death, Kaaroo maintained a place in the local consciousness of Sydney, attending levees at Government House, and sharing her knowledge of petroglyphs (rock carvings or paintings) at North Head.

The Schevenhuysen Map
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A cosmographical map of the Asia-Pacific region

This cosmographical map, dating from the end of the 'Dutch Golden Age', was acquired by the Library in 2022. The map's layout brings together different mapping and philosophical traditions of important past mapmakers: there are eight concentric rings, with Hell (Inferno) at the centre and the heavens on the periphery. The depiction of the Asia-Pacific region in the terrestrial zone reflects European knowledge as it stood before the mapping of the early-sixteenth-century Dutch explorers. Accordingly, Australia does not explicitly appear, except for a passing reference to 'Terra Australis nondum planedetecta' (Southern land not yet fully known) in the map’s upper righthand corner.

Family Life in Colonial Australia
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Portrait of Mrs Darling and two of her children

Shortly before their departure for Australia, the incoming governor of New South Wales, Ralph Darling, his wife, Eliza (1798–1868), and two of their children posed for the artist John Linnell. Linnell completed two husband-and-wife portraits, and this one of Eliza and the children. It offers a window into Georgian Britain, showing a dutiful and genteel mother with a daughter on the left holding a book and a younger son on the right reaching out to his mother. Eliza Darling made a significant contribution to the colony, supporting causes such as education for girls and female convicts.

Harold Cazneaux’s First Camera
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1904 camera

Harold Cazneaux (1878–1953) was perhaps Australia’s best-known photographer of the early twentieth century. He purchased this camera in 1904, shortly after moving from Adelaide to Sydney, and made photographs of Sydney’s streets and waterways. In 1909 he became the first Australian photographer to exhibit his works in a solo show. Cazneaux was a master of the pictorialist style of photography, using soft focus to capture scenes that were – and remain – familiar to many Australians in a new light. He was able to find a timeless, extraordinary beauty in the everyday.

A day of Mourning and Protest
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A poster announcing an Australian Aborigines Conference on Wednesday, 26th January 1938

In January 1938 the Aborigines Progressive Association (APA), led by Jack Patten and Bill Ferguson, made a powerful declaration of protest against the treatment of Indigenous Australians by colonial and national governments. The APA invited Indigenous Australians to a conference on 26 January, the sesquicentenary of European occupation, which they designated the inaugural ‘Day of Mourning’. Pattern declared, ‘This land belonged to our forefathers 150 years ago, but today we are pushed further and further into the background … We have decided to make ourselves heard.’ The Day of Mourning, or ‘Survival Day’, continues to be observed by Indigenous Australians, and 26 January remains at the centre of a debate about reconciliation and nationhood.

Soldier Settlement
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Men sitting around shelters at Happy Valley camp during the Great Depression, La Perouse, New South Wales, ca. 1932

Both during and after the First World War, hundreds of thousands of Australian servicemen were repatriated to Australia. State and federal governments enacted a scheme to provide around 37,500 returned servicemen with land and agricultural training. However, the allotments of land were too small, with poor soil quality, and expert advice was lacking. As a result, by 1929 nearly 11,000 soldier-settlers had abandoned, forfeited or transferred their allotments. The scheme has largely been considered a failure.