Recipients of our summer scholarships, funded through the generosity of the family of the late Norman McCann (a former National Library Council Member), and of John and Heather Seymour. They support younger scholars undertaking postgraduate research requiring special access to the Library’s collections.
Lucas Smith (Monash University): Barbara Baynton: Becoming an Australian Briton
Norman McCann Summer Scholars
Averyl Gaylor (La Trobe University): ‘The Body at its best’: European Modern Dance and Medical Ideals in Twentieth Century Australia
Sadie Heckenberg (Swinburne University): Continuing our Voices: Aboriginal and Torres Strait Islander Oral Histories in the National Library
Samuel Cottell (University of Sydney): Tommy Tycho: A Biographical Portrait
Morgan Burgess, The Literary Campaign for Women’s Suffrage in Australian Newspapers and Magazine
Morgan is examining suffrage literature published in key colonial newspapers and magazines. Arguments for and against women’s suffrage and enfranchisement were played out through literary accounts, poetry and fiction published in The Bulletin, The Australian Journal, The Australian Radical and The Lone Hand, amongst others. The obscurity of such literature, much of which is not indexed or digitised, means that important parts of the debate about women’s enfranchisement have been overlooked and the full literary discourse that engaged with the politics of women’s suffrage in Australia has not been studied.
Norman McCann Summer Scholars
Talisha Goh, Three Australian Women Composers on the World Stage: the Early Works and Careers of Ros Bandt, Liza Lim and Kate Moore.
Talisha is undertaking a study of three active Australian women composers who have made substantial contributions to music in Australia and overseas. These composers are the sound artist Ros Bandt (born 1951), orchestral and operatic composer Liza Lim (born 1966) and ensemble composer Kate Moore (born 1979.) Talisha is considering the impact of gender in the careers and works of Australian women composers and investigating how the composers’ own response to their early works informs their current musical style and practice.
Meg Brayshaw, Watery Bodies: Water as matter and meaning in Christina Stead's ‘Seven Poor Men of Sydney’
Meg is undertaking a close reading of Christina Stead’s personal archive, informed by contextual understanding of the writer's background, ideas and situation. She is particularly interested in the place-based, eco-critical nature of Stead’s writing, exemplified by the use of water as matter and meaning in the first novel ‘Seven Poor Men of Sydney’ (1934). She aims to discover if Sydney and issues of an ecological, naturalist slant feature in Stead’s personal papers.
Gretel Evans, The scattered memory of disaster: fires and floods in Australia
Gretel is investigating how Australians, and in particular migrants, remember Australia’s history of natural disasters focusing on floods in NSW and bushfires in Victoria. Her PhD project examines the long term impact of natural disasters, considers how these experiences feature in the lives of Australians and how people remember them. She is especially interested in how migrant experiences of fires and floods illuminate the impact of natural disasters on their sense of home, community and identity.